Rhythm and flow contestants season 112/31/2023 ![]() It puts everyone on the same timeline - you know, kind of like linear TV! It’s an effort to reduce spoilers, build momentum, and generally establish a fan community from scratch, a person with knowledge of Netflix’s thinking told IndieWire. Netflix stretched out fellow competitions “Love Is Blind,” “The Circle,” and “Rhythm & Flow” in much the same way. “But IndieWire,” you’re probably wondering, “doesn’t Netflix drop all of its episodes at once?” That’s the streamer’s default, sure, but not this time - and there is precedent. That’s when we’ll finally find out who won the $4.56 million dollars. The final episode, a “Batch” in and of itself, debuts on Wednesday, December 6. “ Squid Game: The Challenge” premiered the first five of its 10 episodes on November 22 - it’s what Netflix is referring to as “Batch 1.” The next four episodes, “Batch 2,” bow on Wednesday, November 29. It’s beautiful, impactful storytelling - one shadowed by tragedy given Hussle’s unfair fate.Why Netflix Doesn’t License Its Own Content to Others meets up with the late, great Nipsey Hussle, who used his fame and influence to help positively impact folks in his community, and the two heavyweights watch young performers handpicked by Hussle together. ![]() Rhythm + Flow puts these gross stereotypes to bed, not just in Chance’s routine criticism of performers who resort to empty violence, but in his passionate editorialization on the importance of free library programs for young, burgeoning artists who would otherwise never have these kinds of opportunities. Rap is often unfairly maligned as a genre of unrepentant violence and shallow pleasures. Its famous judges speak eloquently and passionately about the importance of lifting up struggling folks from their hometown and communities, and the show highlights this triumphant/bittersweet goal. The show also works as a perfect accessibility point for folks who aren’t as inherently into hip-hop by communicating, with enrapturing clarity, what hip-hop means to its participants. ![]() Rhythm + Flow is chock-full of unquestionably enthralling moments like these. Uh-oh, are we about to watch a trainwreck? Nope - once this guy starts flowing, he owns that stage, makes your head nod, and lowkey becomes your new favorite rapper. One performer named Old Man Saxon comes on stage in a suit and an atypically goofy attitude. And when a truly incredible performer takes that stage and commands the audience and judges’ attention - wow does it feel electric. There’s no William Hungs on this show - everyone is too interested in making great art and lifting each other up. Just be yourself,” offers Royce da 5'9" to this particular cat). Even particularly eccentric contestants, like a baby-head-on-a-chain wearing horrorcore Tyler, the Creator wannabe, are given patient, insightful pieces of advice (“You’re doing a disservice at trying to appeal to everyone. Every episode features one quick-cut montage of the “not so great” contestants (which just might make watching with subtitles worth it to see how their unintelligible lyrics are written), but you can tell it’s not the main focus of the producers or the judges. Hip-hop has always been as much about visual storytelling as knockin’ beats and cold flows - Rhythm + Flow understands and communicates it all with incredible prowess.īut how are the contestants, anyway? Unlike an American Idol, which luxuriates in the schadenfreude of watching haplessly untalented folks get lambasted and laughed it, pretty much every competitor on Rhythm + Flow has a baseline of competence. Performances on the Atlanta stage feel fundamentally different from performances on the Chicago stage, from lighting to editing. All of these episodes feel stylistically different, and huge props must be given to the production team for giving the often rudimentary genre of reality TV a nice prestige polish. The first four episodes take place in different cities - episode one starts in Hollywood, and then we move to each judge’s home city (New York for Cardi, Atlanta for T.I., Chicago for Chance). From a formal standpoint, the show looks handsome. They’re brightly, flatly lit, cutting haphazardly to obtrusive reaction shots, and narrowing down complicated issues into palatable puzzle pieces. Most of the network competition reality shows feel airbrushed to an inch of their lives.
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